On March 6 Sarah Burton debuted one of her most breathtakingly exquisite Autumn 2017 collections. One galvanized from an outing taken with her clan to Cornwall, England where she spied a Cloutie tree (on which people tie rags and ribbons as they make wishes), visited the ruins of castles and medieval churches, and where a subculture of paganism and healing witchcraft is said to still exist. From there she was off and running with her imagination and research (which she is wont to do) into the creative communities that inhabit these walls, its traditions, their ancient signs and symbols, and the power that laid within the landscape.
The Cloutie tree inspiration, a prominent theme throughout the collection, was witnessed from the very first look of floating ribbons on a whipstiched black leather coat. It then made its way onto bodycon-ribbed knits, and as wisps of threads streaming from embroidered patches of flora patterned dresses. It was present via the extra long cinched belts on a few of the softly tailored pieces made from cashmere felting. These black/grey pantsuits with their extra long jackets, paired with thick-soled sneakers seemed fit for a modern-day priestess.
Burton wove her Cloutie theme all the way through to its final evening looks. The last 2 exits with their glistening silver sequin embroidery, and their sleeves and hems trailing in black or cream feathers were pure beauty. When the day comes that I finally get married, I’ll happily walk down the aisle in either the cream with green, blue and beige flora and fauna embroidered dress (boots included), or the final silver sequin and feather frock. Maybe a visit to the Cloutie tree is in order for me.
Paris Fashion Week Street Style
Giovanna Engelbert in a Prada // Irene Kim // PFW Street Style // Sayo Yoshida // Mlle Yulia // Alexandra Lapp in Hermes & Bruno Manetti // Street Style // Street Style // Teddy Quinlivan // Hailey Baldwin // Yasmin Sewell // Fil Xiao Bai
Then There’s This